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It actually started fairly late on in the proceedings of the making of the album. But was it always intended as a companion to that song? “Sirius” is the first song on “Eye in the Sky” and segues directly into the title track, which was itself a sizable U.S. Ahead of episodes three and four this Sunday, Variety spoke to the Santa Barbara-based Parsons, 71, about the improbable, enduring legacy of “Sirius,” the frustrations of sync licenses and the one and only time he crossed paths with Jordan himself.
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What’s more, it was never intended to be played live - Parsons didn’t even begin touring regularly until 1993 after he split with longtime APP vocalist and songwriter Eric Woolfson, who died in 2009.īut as Jordan retrospectives go, so goes “Sirius,” and both are firmly back in the spotlight thanks to ESPN’s new 10-part documentary “ The Last Dance.” The Jason Herir-directed series premiered April 19 to rave reviews and a network record-setting 6.1 million viewers. Indeed, the music he made with a rotating band of players was steeped in the studio precision and instrumental virtuosity of prog-rock titans such as Genesis, Yes and Floyd itself - hardly the fare one would expect to win over generations of American sports fans. Parsons, a highly regarded British engineer and producer who worked on iconic albums with The Beatles and Pink Floyd before creating Alan Parsons Project in 1974, certainly never set out to write an American sports anthem. The song is now utilized by countless franchises in the world of basketball and beyond, to say nothing of its evergreen status as a bar mitzvah, wedding and air guitar anthem par excellence. Struck in the moment by the 114-second track’s signature echo-drenched synthesizer riff and roof-raising guitar solo, the former WLS-FM DJ bought the group’s 1982 album “Eye in the Sky” the next day and began practicing player introductions on top of it.īefore long, “Sirius” was reverberating through Chicago Stadium like an electric shock, becoming inextricably linked to the sight of Jordan and company storming the court en route to six NBA championships and forever transforming the nascent world of in-game sports entertainment.
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It wasn’t exactly a recipe for firing up the audience, much less intimidating the visiting team.Īll that changed in 1984, when, as legend has it, Bulls announcer Tommy Davis heard the Alan Parsons Project instrumental “Sirius” while sitting in a theater waiting for a movie to start.
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Players would simply jog off the bench and into a formation with their teammates as their names were announced, and if they were lucky, the crowd would muster a modicum of enthusiasm while a precocious young singer or C-list local saxophonist performed the National Anthem. It’s hard to imagine now, but once upon a time, there was no such thing as the elaborate, lights-and-lasers pre-game spectacles and music-heavy player introductions popularized by the Michael Jordan-era Chicago Bulls of the 1980s and 1990s.